Education and Spontaneous Learning

We give you examples of being receptive to the world around you and learning to see and hear as a form of education:

There is a show on PBS called Stories from the Stage. People come forward to a microphone on a stage and tell personal stories from their past, stories that they consider important, informative, educational (in the widest sense), and usable by the listener. One of the early “people at the mic” on stage is a teenage girl who says something, in a plaintive sorrowful voice, like: “I have been waiting far too long…to wait for someone…to see me.”

This perplexed girl is unwittingly raising the question of a deep human hunger: the hunger for “personhood.” At a young age, this primordial hunger expresses itself as somebody befriending me (i.e., the speaker needs a real friend) so that the befriended person comes into clearer focus to themselves, achieving personhood.

Very intelligent philosophers like Emmanuel Levinas of France have spent their entire lives trying to understand the connections between countenances (how a person “wears a face”), personhood, interactive life, etc.

In his book, The Face of the Other (the girl wants somebody to notice her and her face and like her and “smile upon her”) Levinas has a deep analysis of all these human yearnings and self-definitional journeys and quests:

“The Face of the Other” is an evocative phrase used by Emmanuel Levinas, an important twentieth-century philosopher.

  • “Other” (sometimes capitalized, sometimes not) usually translates the French word autrui, which means “the other person” or “someone else” (other than oneself). It is thus the personal other, the other person, whoever it is, that each of us encounters directly, or experiences the traces of, every day. Of course, we encounter a multiplicity of others, but Levinas more often uses the singular “other” to emphasize that we encounter others one at a time, face to face.
  • By “face,” Levinas means the human face (or in French, visage), but not thought of or experienced as a physical or aesthetic object. Rather, the first, usual, unreflective encounter with the face is the living presence of another person.

Thus, when we come “face to face” with another person, the experience is a social and ethical one (rather than intellectual, aesthetic, or merely physical). “Living presence,” for Levinas, would imply that the other person (as someone genuinely other than myself) is exposed to me—that is, is vulnerably present—and expresses him or herself simply by being there as an undeniable reality that I cannot reduce to images or ideas in my head.

This impossibility of capturing the other conceptually or otherwise reveals the other’s “infinity” (i.e., irreducibility to a finite [bounded] entity over which I can have power).

The other person is, of course, exposed and expressive in other ways than through the literal face (e.g., through speech, gesture, action, and bodily presence generally), but the face is the most exposed, most vulnerable, and most expressive aspect of the other’s presence.

Thus, a student could be channel surfing on TV, observe this young girl saying these things on Stories from the Stage, and expand one’s understanding of this entire set of hungers and self-identity efforts and go (say) from the moment of TV watching to reading Levinas.

This is a simple example from the current world of TV where a certain particular “cri de coeur” (French: “cry from the heart”) of a girl you don’t know at all could deepen and widen your understanding by following the thread to Levinas and other profound people. The girl’s plaint where she’s “waiting for someone to see me” becomes much deeper and can be understood on a larger canvas which is exactly what we want.

Many experiences from daily life, from walking around, from moments on TV, from tiny incidents, can be pathways to higher understanding and learning if you can see and hear “with the third eye and the third ear.” (Theodore Reik talks about “listening with the third ear.”)

Education is a kind of “applied awareness.”

Movies and Chemistry: Keeping the Enchantment of Education

Several movies give you an “enchanting” back door or window into chemistry so that you can “beat” the tediousness of regular education and come into the field and its topics via these movies:

I.

The Man in the White Suit is a 1951 British comedy classic with Alec Guinness as a genius research chemist. He fiddles with his flasks and polymer and textile chemistry experiments until he invents a fabric that shows no wear and tear “forever.” This would seem like a great boon to humanity in its clothing needs but the chemist (“Sidney Stratton”) finds that both labor and management reject his discovery violently as it threatens jobs and profits. Textile or fabric polymer chemistry is at the heart of the plot.

Cry Terror! is a taut 1958 crime thriller movie with James Mason and Rod Steiger. The plot involves the terrorist threat of exploding a domestic airliner with a hidden RDX cache (a TNT successor) unless the demanded payment is made.

RDX was used by both sides in World War II. The U.S. produced about 15,000 long tons per month during WWII and Germany about 7,000 long tons per month. RDX had the major advantages of possessing greater explosive force than TNT, used in World War I and requiring no additional raw materials for its manufacture.

Semtex is a general-purpose plastic explosive containing RDX and PETN. It is used in commercial blasting, demolition, and in certain military applications.

A Semtex bomb was used in the Pan Am Flight 103 (known also as the Lockerbie) bombing in 1988. A belt laden with 700 g (1.5 lb) of RDX explosives tucked under the dress of the assassin was used in the assassination of former Indian prime minister Rajiv Gandhi in 1991.

The 1993 Bombay bombings used RDX placed into several vehicles as bombs. RDX was the main component used for the 2006 Mumbai train bombings and the Jaipur bombings in 2008. It also is believed to be the explosive used in the 2010 Moscow Metro bombings.

Traces of RDX were found on pieces of wreckage from 1999 Russian apartment bombings and 2004 Russian aircraft bombings. Further reports on the bombs used in the 1999 apartment bombings indicated that while RDX was not a part of the main charge, each bomb contained plastic explosive used as a booster charge.

Ahmed Ressam, the al-Qaeda Millennium Bomber, used a small quantity of RDX as one of the components in the bomb that he prepared to detonate in Los Angeles International Airport on New Year’s Eve 1999-2000; the bomb could have produced a blast forty times greater than that of a devastating car bomb.

In July 2012, the Kenyan government arrested two Iranian nationals and charged them with illegal possession of 15 kilograms (33 pounds) of RDX. According to the Kenyan Police, the Iranians planned to use the RDX for “attacks on Israeli, U.S., UK and Saudi Arabian targets.”

RDX was used in the assassination of Lebanese Prime Minister Rafic Hariri on February 14, 2005.

In the 2019 Pulwama attack in India, 250 kg of high-grade RDX was used by Jaish-e-Mohammed. The attack resulted in the deaths of 44 Central Reserve Police Force personnel as well as the attacker.

Semtex was developed and manufactured in Czechoslovakia, originally under the name B 1 and then under the “Semtex” designation since 1964, labeled as SEMTEX 1A, since 1967 as SEMTEX H, and since 1987 as SEMTEX 10. Originally developed for Czechoslovak military use and export, Semtex eventually became popular with paramilitary groups and rebels or terrorists because prior to 2000 it was extremely difficult to detect, as in the case of Pan Am Flight 103.

The Russian apartment bombings were a series of explosions that hit four apartment blocks in the Russian cities of Buynaksk, Moscow and Volgodonsk in September 1999, killing more than 300, injuring more than 1,000, and spreading fear across the country. The bombings, together with the Invasion of Dagestan, triggered the Second Chechen War. The handling of the crisis by Vladimir Putin, who was prime minister at the time, boosted his popularity greatly and helped him attain the presidency within a few months.

The blasts hit Buynaksk on 4 September and in Moscow on 9 and 13 September. On 13 September, Russian Duma speaker Gennadiy Seleznyov made an announcement in the Duma about receiving a report that another bombing had just happened in the city of Volgodonsk. A bombing did indeed happen in Volgodonsk, but only three days later, on 16 September. Chechen militants were blamed for the bombings, but denied responsibility, along with Chechen president Aslan Maskhadov.

A suspicious device resembling those used in the bombings was found and defused in an apartment block in the Russian city of Ryazan on 22 September. On 23 September, Vladimir Putin praised the vigilance of the inhabitants of Ryazan and ordered the air bombing of Grozny, which marked the beginning of the Second Chechen War. Three FSB agents who had planted the devices at Ryazan were arrested by the local police, with the devices containing a sugar-like substance resembling RDX.

II.

The movie Khartoum (1966) has General Charles Gordon traveling to Sudan in 1884 to quell the “mad mullah” the Mahdi. (Osama bin Laden of his day).
At the train station where General Gordon starts his trip, there’s a railway ad sign that promotes the use of “Wright’s Coal Tar Soap.”

This gives us a sign of the rise of the modern chemical industry.

III.

Think of “Sherlock Holmes” in terms of all the movies and TV series or the original stories and books:

Holmes has to explain to Watson how he survived the assassination attempt on him by Moriarty, “the Napoleon of Crime” who threw him off the Reichenbach Falls. Holmes explains that he faked Moriarty out and clung to a bush or something and was (obviously) not killed.

Holmes tells Watson what he does when he returns to civilization and travels and studies for some three years:

“I then passed through Persia, looking in at Mecca, and paid a short but interesting visit to the Khalifa at Khartoum, the results of which I communicated to the Foreign Office. Returning to France, I spent some months in a research into the coal-tar derivatives, which I conducted in a laboratory at Montpellier, in the south of France.”

The context implies the year 1894.

There is clear evidence that Mr. Holmes was deeply involved in the research of coal-tar derivatives as early as 1889 when the events of the Copper Beeches matter were transpiring.

We are told that on an evening in 1889, Mr. Holmes was seated in 221B Baker Street at the deal table loaded with retorts and test tubes. He was settling down to one of those all-night chemical researches in which he frequently indulged.

The research work was interrupted by a message of distress from Violet Hunter. Watson found that there was a train the next morning, and Holmes tells Watson:

“That will do very nicely. Then perhaps I had better postpone my analysis of the acetones as we may need to be at our best in the morning.”

It is clear that Holmes was engaged in coal-tar research long before his visit to Montpellier in the south of France.

The quotation from the Copper Beeches story refers to acetones, not to coal-tar derivatives.

“In the fractional distillation of coal-tar, the distillate separates into five distinct groups or layers, depending upon the stage of the process and the amount of heat applied. Category-one of the five includes benzene, toluene, xylenes and cumenes.

Acetones [dimethelketone-CH3COCH3] may be derived from the oxidation of cumene. And cumene [isopropylbenzene-C6H5C(CH3)2] is derived by distillation from the coal-tar naphtha fractions.”

Cumenes are derived from coal-tar, and acetones are derived from cumenes. Thus, a study of the acetones is, necessarily, research into coal-tar derivatives.

The rise of chemical engineering and organic chemistry are at the heart of the Sherlock Holmes stories.

Thus we can “climb” into chemistry via these books and movies and keep a feeling of enchantment as a kind of educational “shoehorn.”

Songs as Another Kind of Parallel University

Meta Intelligence is a heterodox view of education where formal education (courses, diplomas, universities, fields) are incomplete and limited without adding informal education which is part of your life such as movies, songs, conversations and images (paintings, posters, etc). Your “lifeworld” (Edmund Husserl’s apt coinage) fuses all the kinds of education where the word education means thought-provoking and illuminating. Even personal experience counts such as illnesses or bad marriages! Only via this Meta Intelligence will you achieve a glimpsed “holism.” (Meta Intelligence is that meta-field outside fields, borders and boundaries.)

Take songs.

Think back to Jim Morrison’s classic tune, “Riders on the Storm” which begins:

“Riders on the storm
Riders on the storm
Into this house, we’re born
Into this world, we’re thrown
Like a dog without a bone
An actor out on loan
Riders on the storm”

This song (by the Doors), expresses in a simple way Heidegger’s notion of human existence as partly governed by “Geworfenheit” which derives from “werfen,” to throw. “Geworfenheit” means “thrownness.” Jim Morrison and his band the Doors are songphilosophers without (probably) being Heidegger’s acolytes. Max Weber, one of the fathers of modern sociology, uses the word “disenchantment” to describe the modern world, “Entzauberung” in German, where “zauber” means “magicality” and “ent” means “removal of,” and “ung” means “condition of being.” The magic here does not mean something like a card trick but rather sacred mysteries, perhaps like the feeling a medieval European felt on entering a cathedral.

Enchantment in the West survived in our notions of romantic love and was associated with the songs and outlook of the medieval troubadours. Such romantic enchantment which is fading from our culture in favor of sex is still celebrated in the classic Rogers and Hammerstein song, “Some Enchanted Evening” from the forties musical and fifties movie, South Pacific.

The song lyrics give you the philosophy of romantic love as the last stand of enchantment:

“Some enchanted evening, you may see a stranger,
You may see a stranger across a crowded room,
And somehow you know, you know even then,
That somehow you’ll see here again and again.
Some enchanted evening, someone may be laughing,
You may hear her laughing across a crowded room,
And night after night, as strange as it seems,
The sound of her laughter will sing in your dreams.

“Who can explain it, who can tell you why?
Fools give you reasons, wise men never try.

“Some enchanted evening, when you find your true love,
When you hear her call you across a crowded room,
Then fly to her side and make her your own,
Or all through your life you may dream all alone.

“Once you have found her, never let her go,
Once you have found her, never let her go.”

Notice that “chant” is a component of enchantment.

One could say that conventional enchantment has been transferred to the world of science and mathematics where a deep beauty is intuited. Professor Frank Wilczek of MIT (Nobel Prize) wrote several books on this intersection of science and the quest for beauty whereas Sabine Hossenfelder of Germany has argued, per contra, that this will be a “bum steer.”

You should sense that like movies, songs give you a “side window” or back door into thinking and knowledge, which should be center stage and not depreciated.

Education and Word and Number Hidden Vagueness

These mini-essays help students of any age to re-understand education in a deeper and more connected way.

They look for “circum-spective” intelligence. (Not in the sense of prudential or cautious but in the sense of “around-looking.”)

One of the things to begin to see is that explaining things in schools is misleading “ab initio” (i.e., from the beginning).

Let’s do an example:

In basic algebra, you’re asked: what happens to (x2 – 1)/(x – 1) as x “goes to” (i.e., becomes) 1.

If you look at the numerator (thing on top), x2 is also 1 (since 1 times 1 is 1) and (1 – 1) is zero. The denominator is also (1 – 1) and zero.

Thus you get 0 divided by 0.

You’re then told that’s a no-no and that’s because zeros and infinities lead to all kinds of arithmetic “bad behavior” or singularities.

You’re then supposed to see that x2 – 1 can be re-written as (x – 1)(x + 1) and since “like cancels like,” you cancel the x – 1 is the numerator and denominator and “get rid” of it.

This leaves simply x + 1. So, as x goes to 1, x + 1 goes to 2 and you have a “legitimate” answer and have bypassed the impasse of 0 acting badly (i.e., zero divided by zero).

If you re-understand all this more slowly you’ll see that there are endless potential confusions:

For example: you cannot say that (x2 – 1)/(x – 1) = x + 1 since looking at the two sides of the equal sign shows different expressions which are not equal.

They’re also not really equivalent.

You could say that coming up with x + 1 is a workaround or a “reduced form” or a “downstream rewrite” of (x2 – 1)/(x – 1).

This reminds us of the endless confusions in high school science: if you combine hydrogen gas (H2) with oxygen gas (O2) you don’t get water (H2O). Water is the result of a chemical reaction giving you a compound.

A mixture is not a compound. Chemistry is based on this distinction.

Math and science for that matter, are based on taking a formula or expression (like the one we saw above) and “de-cluttering” it or “shaking loose” a variant form which is not identical and not the same but functionally equivalent in a restricted way.

A lot of students who fail to follow high school or college science sense these and other “language and number” problems of hidden vagueness.
School courses punish students who “muse” to themselves about hidden vagueness. This behavior is pre-defined as “bad woolgathering” but we turn this upside down and claim it is potentially “good woolgathering” and might lead to enchantment which then underlies progress in getting past one’s fear of something like math or science or anything else.

One is surrounded by this layer of reality on all sides, what Wittgenstein calls “philosophy problems which are really language games.”

Think of daily life: you say to someone: “you can count one me.” You mean trust, rely on, depend on, where count on is a “set phrase.” (The origin of the phrase and how it became a set phrase is probably unknowable and lost in the mists of time.)

“You can count on me” does not mean you can stand on me and then count something…one, two, three.

In other words in all kinds of language (English, say, or math as a language) one is constantly “skating over” such logic-and-nuance-and-meaning issues.

The genius Kurt Gödel (Einstein’s walk around buddy at Princeton) saw this in a deep way and said that it’s deeply surprising that languages work at all (spoken, written or mathematical) since the bilateral sharing of these ambiguities would seem deadly to any clarity at all and communication itself would seem a rather unlikely outcome.

You could also say that drama giants of the twentieth century like Pinter, Ionesco and Beckett, intuit these difficulties which then underlie their plays.

All of this together gives you a more “composite” “circum-spective” view of what is really happening in knowledge acquisition.

Education and Pre-Understanding

To embark on an education in any field, physics, say, is enervating because the student (in high school) say, enters a strange ocean with “zillions” of names and laws, units of measurement (amps, ohms, coulombs, faradays, etc.) which are very intricate and confusing.

A student does start swimming in this ocean via school “coercion” (i.e., how one will be punished for “failing.”)

There’s a much deeper and useful and practical way to create a pathway into fields: looking for a pre-understanding of what the field is like by taking one particular question or “head-scratcher” and start to delve into it, welcoming any initial sense of not-being-sure, as part of the fun of it, the enchantment.

Consider this article from 2001 in Scientific American:

“Can somebody finally settle this question: Does water flowing down a drain spin in different directions depending on which hemisphere you’re in? And if so, why?” [Archived PDF]

If you start to worry about the water swirling down your kitchen sink or bathtub, you are inevitably faced with the puzzling discussions of something called Coriolis forces, named after the French scientist of this name:

“In physics, the Coriolis force is an inertial or fictitious force that acts on objects that are in motion within a frame of reference that rotates with respect to an inertial frame. In a reference frame with clockwise rotation, the force acts to the left of the motion of the object. In one with anticlockwise (or counterclockwise) rotation, the force acts to the right. Deflection of an object due to the Coriolis force is called the Coriolis effect. Though recognized previously by others, the mathematical expression for the Coriolis force appeared in an 1835 paper by French scientist Gaspard-Gustave de Coriolis, in connection with the theory of water wheels. Early in the 20th century, the term Coriolis force began to be used in connection with meteorology.”

The Coriolis force is called a pseudo-force or fictitious force which is already quite puzzling. It seems to push an ant walking across a 78 RPM record in motion on the turntable in unexpected ways and affects the swirling motions of storm phenomena (hurricanes, cyclones, etc.).

The student would immediately sense that at the heart of physics—using this Coriolis force as an indicator—there’s an unbelievable intricacy—but also the sense that these explanations (i.e., forces versus pseudo-forces) that are not entirely convincing and might well be overturned or re-done by someone with a deeper grasp of the problem, in the future. There’s an “ad hoc-ness” (i.e., the explanations and units and theories and proofs seem somehow “circular” or “tautological” in a way that eludes us, as we wait for a clearer theory).

A person walking across a moving merry-go-round or carousel and the complexity of the pushes and pulls experiences “shoves” that are unfamiliar and the water going down the drain in the bathtub awaits a better theory. There is a subfield called “turbulent flow” and that would need to be brought into it. Weather phenomena like tsunamis, cyclones, etc. are turbulences that are complex and our theories are both unbelievably intricate but perhaps subject to revision.

All of this might be an enchanting “gateway” into physics and would give the student a pre-understanding of physics’s “style of thinking and explaining.” In other words, to “parachute” into a field you need the parachute of some particular puzzling example which you use as a “private gateway” into the way people in that field think and act.

Just to go through the years of high school and college in an endless and mindless “slog” with the “failure gun” of coercion pointed at you, is a tremendously soul-destroying way to educate oneself. You have to “go underground” and find your own pre-understanding and its twin brother or clone, enchantment.

“Pre-Understanding” as a Pillar of Better Education

One pillar of our education enhancement effort is the concept of “pre-understanding” which argues that there usually is a step that has been skipped in education and that is the overview or guidance or “lay of the land” step that comes before courses become efficacious. To tackle a 900-page text-book seems soul-crushing in the absence of “pre-understanding” (i.e., where are we and why are we doing this) other than the coercive power of schools (grades, scholarships, recommendations, grad school admissions, etc.)?

A person senses (not incorrectly) that economics as a field of study seems tedious and solipsistic (i.e., “talking to itself” and not to the student).

Can we give students a “pre-understanding” that opens a backdoor or side window into the field, where such doors and windows were never seen or noticed?

A person is trying to decide what airline they should use in flying from Boston to Nepal.

Immediate concerns are of course price, flexibility of ticket, safety reputation of different airlines, schedules, weather forecasts, routes, etc.

A person might argue: Flight A stops in Tokyo and I can make use of that because my friend who lives in the area will put me up for a weekend, whereby we can do the town and sights, talk about old times, re-connect, etc. There’s also some other task or chore there I could do and so the Tokyo interruption is to my liking. There’s some risks associated with this (i.e., my fiancée who’s traveling with me might find it boring). I’m not sure (uncertainty).

Now suppose somebody tells you that such “decision theory” is at the heart of economics and involves four dimensions:

  1. Costs.
  2. Benefits.
  3. Risks.
  4. Uncertainties.

Whether you know it or not, you are optimizing some things (usefulness and pleasure of travel) and minimizing other things (time in the air, costs, safety risks, comfort, etc.).

You don’t realize that you’re making subtle decisional calculations where risks and uncertainties that cannot be quantified, are somehow being weighted and weighed and quantified by you, implicitly and the decision calculus is quite complicated.

Suppose you were now given to understand that economics is about economizing (i.e., budgeting your costs, benefits, risks and uncertainties, some of which are qualitative and subjective) but you find a way to assign some kind of numbers and weighting factors (i.e., importance to you) in your actual but more likely, intuitive calculations.

Goaded and prompted by this “pre-understanding” you might then pick up a standard guide to actual cost-benefit analysis (such as Mishan’s classic book) and go through this previously unseen “door” into the field without being crushed by the feeling that it’s all so tiresome in its appearance.

Similarly, if you take a math concept like the square root of minus one, think of it as an imaginary “unicorn” of the mind, then how is it that it appears constantly in all science and math such as Euler’s equation, Schrödinger’s equation, electrical engineering textbooks, etc.

How can something so elusive be so useful?

This “pre-understanding” quest or detour or episode could give you, the student, a deep nudge through a hidden window or door into “math world.”
Without this “trampoline of pre-understanding,” an “ocean of math intricacy” seems to loom before you.

Education: Disease, History and Lit

The Italian writer Giovanni Boccaccio lived through the plague as it ravaged the city of Florence in 1348. The experience inspired him to write The Decameron.

The Plague of 1665 in England was a major upheaval affecting Isaac Newton’s life.

The 1984 movie, A Passage to India (David Lean) set in 1920s India, has a scene where the ever-present lethal threat of cholera is discussed as Doctor Aziz lies sick of a fever.

The W. Somerset Maugham novel, The Painted Veil (2006 movie) is also about cholera in the Chinese countryside in the 1920s.

Manzoni’s 1827 The Betrothed, the most famous classic novel of Italian literature, centers on the plague to drive the story.

Overview:

Etymologically, the term “pest” derives from the Latin word “pestis” (pest, plague, curse). Hardly any disease had such cultural and historical relevance as the bubonic plague. Throughout the centuries, the plague was the most terrifying infectious contagious disease which generated a series of demographic crises. The plague epidemics influenced the evolution of society biologically and culturally speaking. The Black Death was one of the most devastating pandemics in human history, is estimated to have killed 30%–60% of Europe’s population, reducing the world’s population from an estimated 450 million to between 350 and 375 million in 1400. This has been seen as having created a series of religious, social and economic upheavals, which had profound effects on the course of European history. It took 150 years for Europe’s population to recover.

The plague returned at various times, killing more people, until it left Europe in the 19th century. Modern epidemiology (Dr. John Snow, London) has its roots in cholera management and water sanitation as well as waste management.

Education involves seeing disease as a major protagonist in all history and not as a footnote.

The classic Plagues and Peoples should accordingly be studied by every student: Plagues and Peoples is a book on epidemiological history by William Hardy McNeill, published in 1976.

It was a critical and popular success, offering a radically new interpretation of the extraordinary impact of infectious disease on cultures and world history itself.

Education via Strands of Great Books

Booth Tarkington’s novel The Magnificent Ambersons is very informative and educational precisely because it weaves together, in a “braid of insightfulness,” the various truths and phenomena of a life which have to be “taken together” to form a “cluster of understanding,” which is a pillar of what we are attempting to teach.

Life as a Social Status Olympics. The Death Scene of Major Amberson

“And now Major Amberson was engaged in the profoundest thinking of his life.

And he realized that everything which had worried him or delighted him during this lifetime, all his buying and building and trading and banking, that it was all trifling and waste beside what concerned him now.

For the Major knew now that he had to plan how to enter an unknown country where he was not even sure of being recognized as an Amberson.”

(The Magnificent Ambersons, Booth Tarkington, Orson Welles’s 1942 film narration)

Time and Place. The World of 1873, the Financial Crisis and the Vicissitudes and the Tempo of Life

“The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their Midland town spread and darken into a city. In that town in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet and everybody knew everybody else’s family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once, and wait for her, while she shut the window, put on her hat and coat, went downstairs, found an umbrella, told the ‘girl’ what to have for dinner and came forth from the house. Too slow for us nowadays, because the faster we’re carried, the less time we have to spare.”

(The Magnificent Ambersons, Booth Tarkington, Orson Welles’s 1942 film narration)

Fickleness of Life and Its Ephemeral Nature

[Uncle Jack to George:] “Life and money both behave like loose quicksilver in a nest of cracks. When they’re gone, you can’t tell where—or what the devil we did with ’em.”

(The Magnificent Ambersons, Booth Tarkington, Doubleday, Page, 1918, page 435)

Entrepreneurial Psychology

[Uncle Jack:] “Twenty years have passed–but have they? … My Lord! Old times starting all over again! My Lord!”

[Eugene:] “Old times? Not a bit! There aren’t any old times. When times are gone, they’re not old, they’re dead! There aren’t any times but new times!”

(The Magnificent Ambersons, Booth Tarkington, Doubleday, Page, 1918, page 97-98)

The task is to “amalgamate” the points in great books into a sort of unified “braid.” That’s deep education. Booth Tarkington’s 1918 novel, The Magnificent Ambersons, is very informative and educational precisely because it weaves together, in a “braid of insightfulness,” the various truths and phenomena of a life which have to be “taken together” to form a “cluster of understanding,” a pillar of what we are attempting to teach.

Education and the Long-Term: Automation As Example

The American Revolution: Pages From a Negro Worker’s Notebook

Chapter 2: The Challenge of Automation

“Since 1955 and the advent of automation, overtime has been detrimental to the workers. Again and again workers have been faced with the decision to work overtime or not to work overtime, and the decision has usually been: ‘To hell with those out of work. Let’s get the dollar while the dollar is gettable.’ The amazing thing is that this has nothing to do with the backwardness of these workers. Not only can they run production and think for themselves, but they sense and feel the changes in conditions way in advance of those who are supposed to be responsible for their welfare. But with all these abilities there is one big organic weakness. Over and over again workers in various shops and industries, faced with a critical issue, only divide and become disunited, even though they are well aware that they are being unprincipled and weakening their own cause as workers. Since the advent of automation there has not been any serious sentiment for striking, particularly if the strike was going to come at the expense of material things that the workers already had in their possession, like cars, refrigerators, TV sets, etc. They were not ready to make any serious sacrifices of these; they would rather sacrifice the issue. Between the personal things and the issue, they have chosen the personal. Most American workers have geared themselves to a standard of living that is based on a five-day week plus—either in the form of overtime or another job, part or full time. And any time this standard of living is threatened, it is a personal crisis, which means that more and more decisions are being personalized and individualized rather than collectivized and socialized.”

(The American Revolution: Pages From a Negro Worker’s Notebook, James Boggs, Monthly Review Press, 1963, page 33)

As far back as 1963, with President John Kennedy in office, James Boggs (a Detroit autoworker) was already quite aware of automation and its challenges.

A “meta-intelligent” education means we learn from any sources available including “angry pamphlets” without worrying about the ideological blinders or fireworks because our desire is not to engage in polemics but to “extract signals” from a noisy world.

Chapter 2 of James Boggs’s pamphlet is called “The Challenge of Automation” and begins: “Since 1955 and the advent of automation, overtime has been detrimental to the workers…”

This immediately tells you that automation is a very long-run historical trend and should be seen in a larger sweep with history as your searchlight.

Indeed the famous German classic The Weavers by Gerhart Hauptmann is about machines as a threat to employment:

The Weavers (German: Die Weber, Silesian German: De Waber) is a play written by the German playwright Gerhart Hauptmann in 1892. The play sympathetically portrays a group of Silesian weavers who staged an uprising during the 1840s due to their concerns about the Industrial Revolution and replacement by machines and automation.

In 1927, it was adapted into a German silent film The Weavers, directed by Frederic Zelnik and starring Paul Wegener.

A Broadway version of The Weavers was staged in 1915–1916.

To dismiss all such movements and revolts as Luddite-like is not useful since it sweeps legitimate problems under the rug.

This includes Ernst Toller’s classic The Machine Wreckers (German: Die Maschinenstürmer). Two of his early plays were produced in this period: The Machine Wreckers (1922), whose opening night in 1937 he attended, and No More Peace, produced in 1937 by the Federal Theatre Project and presented in New York City in 1938.

All of these critiques of machines and automation are part of a long-term historical overview of machines and jobs and in our time, robotics and AI, etc which should be analyzed as a trajectory and arc where “machine wreckers” à la Hauptmann or Toller are understood empathetically and realistically and not dismissed as vandals.

Education and the Kinds of Wholeness

We have stated several times that we seek more educational holism in particular, the tentative kind made by students themselves after they study these “exercises in holism.” Let’s explore this.

There’s a short story by Anton Pavlovich Chekhov (29 January 1860 – 15 July 1904), a Russian playwright and short-story writer, who is considered to be among the greatest writers of short fiction in history. In his classic “A Boring Story,” he tells the reader about his inner yearning for some wholeness in his life:

“In my predilection for science, in my wish to live, in this siting on a strange bed and trying to know myself, in all the thoughts, feelings and conceptions I form about everything, something general is lacking that would unite it all into a single whole.

Each feeling and thought lives separately in me, and in all my opinions about science, the theater, literature, students, and in all the pictures drawn by my imagination, even the most skillful analyst would be unable to find what is known as a general idea or the god of the living man.

And if there isn’t that. there’s nothing.”

(Selected Stories of Anton Chekhov, Anton Chekhov, Richard Pevear and Larissa Volokhonsky (translators), Modern Library, 2000, page 104, “A Boring Story”)

The author wants to unite everything (i.e., “something general is lacking that would unite it all into a single whole,” as he puts it).

This is not what we have in mind because there is no “scheme of things” or “unified field theory” that we impart to students. That is for various kinds of “madrasas” (Arabic: مدرسة) including secular ones.

Rather, we encourage students to “walk around” topics, fields, educations, discussions, books, movies, quizzes and exams, lectures, assignments to develop a more “circum-spective” view of knowledge.

Remember “Husserl’s rhomboid.” Edmund Husserl (Heidegger’s teacher, died in 1938) would bring a matchbox to his classes in Germany and get students in his classroom to see that one cannot view the whole matchbox at once nor can rotating it capture all of it. Parts are visible, the whole matchbox is not.

We apply this principle to education and knowledge acquisition and offer the mental habit for students of “homemade” exercises in making more holistic views.

The narrator in Chekhov’s story, yearning to have a god-like view of reality and knowledge and experience (theatre, science, etc.) as a unified “thing” is not our interest since it too elusive.

William James (died in 1910) says several times in his writings that “one mind can’t swallow the whole of reality.” Therefore we avoid such “totalizing” visions in favor of much more modest attempts at connecting things better.