In The Thibaults (the novel sequence for which Roger Martin du Gard won the 1937 Nobel Prize in Literature), a fundamental motif is the question of whether the universe is coherent. Roughly speaking, there are three competing schools of coherence—science, religion and art. Antoine Thibault discusses with the Abbé (French title for abbot):
Antoine did not seem to hear him. “Just think,” he exclaimed, “what it means to a youngster, when he’s turned loose, by gradual stages, on mathematics, physics, chemistry! Suddenly he discovers that he has all space, the universe, for his playground. And after that, religion strikes him as not only cramped, but false, illogical. Untrustworthy.”
Roger Martin du Gard, The Thibaults, translated by Philip Thody & Ellen Kennedy, Bantam Modern Classic Edition, Viking Press, 1968. page 762.
The climax of this debate appears when Antoine says:
“…I talked just now about Universal Order and a Scheme of Things; but that was merely to talk like everyone else. Actually it seems to me that we’ve as many reasons to question the existence of a Scheme of Things as to take it for granted. From his actual viewpoint the human animal I am observes an immense tangle of conflicting forces. But do these forces obey a universal law outside themselves, distinct from them? Or do they, rather, obey—so to speak—internal laws, each atom being a law unto itself, that compels it to work out a kind of ‘personal’ destiny? I see these forces obeying laws which do not control them from outside, but join up with them, which do nothing more than in some way stimulate them.…And anyhow, what a jumble it is, the course of natural phenomena! I’d just as soon believe that causes spring from each other ad infinitum, each cause being the effect of another cause, and each effect the cause of other effects. Why should one want to assume at all costs a Scheme of Things?…”
Roger Martin du Gard, The Thibaults, translated by Philip Thody & Ellen Kennedy, Bantam Modern Classic Edition, Viking Press, 1968. page 768.
The topic of an underlying scheme of things is close to the central question of Western civilization. In Plato’s Republic, we have the allegory of the dark cave occupied by humanity. It looks at shadows dancing on the wall, projected by a fire. Liberating humanity requires leaving the cave and climbing to the surface of the earth, glimpsing the sun for the first time. From here, with the help of philosophy, humanity flies off and encounters the Logos and the Eidos. Mathematical truth crowns this journey.
Aristotle, Plato’s star pupil and later rival, takes this quest and focuses on the biological. The Athenian tradition invents theory, a pillar of Western tradition, culminating in modern science. Jerusalem’s competing tradition, the Judeo-Christian worldview, derives its scheme of things from divinity before biology and mathematics. Thus, the novel’s debate is ultimately the struggle between Athens and Jerusalem.