Essay 69: Education and “Then and Now” Thinking

The great historian A. J. P. Taylor (the ideal historian in the opinion of Professor Niall Ferguson of Harvard/Stanford) shows us the “comfortableness” of the world for at least some people before “the guns of August” and WWI destroyed that social world:

“Until August 1914 a sensible, law-abiding Englishman could pass through life and hardly notice the existence of the state, beyond the post-office and the policeman. He could live where he liked and as he liked. he had no official number or identity card.  He could travel abroad or leave his country for ever without a passport or any sort of official permission.  He could exchange his money for any other currency without restriction or limit.  He could buy goods from any country in the world on the same terms as he bought goods at home.  For that matter, a foreigner could spend his life in this country without permit and without informing the police.  Unlike the countries of the European continent, the state did not require its citizens to perform military service.

“An Englishman could enlist, if he chose, in the regular army, the navy, or the territorials. He could also ignore, if he chose, the demands of national defence.

“Substantial householders were occasionally called on for jury service. Otherwise, only those who helped the state who wished to do so.

“The Englishman paid taxes on a modest scale:  nearly 200 million pounds in 1913-14, or rather less than 8% of national income.  The state intervened to prevent the citizen from eating adulterated food or contracting certain infectious diseases. It imposed safety rules in factories, and prevented women, and adult males in some industries, from working excessive hours.  The state saw to it that children received education up to the age of 13.

“Since 1 January 1909, it provided a meagre pension for the needy over the age of 70. Since 1911, it helped to insure certain classes of workers against sickness and unemployment.  This tendency to more state intervention was increasing. Expenditure on the social services had roughly doubled since the Liberals took office in 1905.

Still, broadly speaking, the state acted only to help those who could not help themselves. It left the adult citizen alone. All this was changed by the impact of the Great War.”

(A. J. P. Taylor, English History 1914-1945, Oxford, 1965, page 1)

It seems hard to argue that life has become more “charming” since then and this pre-WWI seems much more calm, sane and relaxed than the world of 2019.  Thinking about “then and now” gives us a feel for the decay in some domains despite the cascade of technologies, gadgets, things.

Essay 42: The View From Nowhere as an Additional Problem in “Thinking About Thinking”

The View From Nowhere is a book by philosopher Thomas Nagel.

Published by Oxford University Press in 1986, it contrasts passive and active points of view in how humanity interacts with the world, relying either on a subjective perspective that reflects a point of view or an objective perspective that takes a more detached perspective. Nagel describes the objective perspective as the “view from nowhere,” one where the only valuable ideas are ones derived independently.

Epistemology (what we can know and why) is puzzling to the max if you ponder it for a moment. Think of a painting in a Boston museum. If you walk up to it, you see only the little piece in front of your nose so you back up and try to get an “optimal grip.” (to use Prof. Merleau-Ponty’s language.) If you walk all the way to China and try to see it from there, you will see nothing of it, no matter what telescope you might use. This is sort of what we mean by “the view from nowhere.” You’re way too far.

This brings us to the problem of the “detached observer” (modern versions of which stem from Descartes, who wants to get a bird’s eye view of all other bird’s eye views.  This is tricky and elusive for the obvious reasons. When Richard Feynman or some other physicist theorizes, is he not achieving a view from nowhere or is he? No one will deny a place to theoretical “standpoints” and “viewpoints.” The theoretician is himself a person who breathes, and sneezes, and yawns, and gets hungry and has to stretch his or her legs after too much sitting. One can’t quite “move into one’s own mind” since all theory is “embodied.”

Human beings have the unique ability to view the world in a detached way: 

We can think about the world in terms that “transcend” our own experience or interest, and consider the world from a vantage point that is, in Nagel’s words, “nowhere in particular.”

The strange human situation is seen from the fact that this “view from nowhere,” this “detached observer” theoretical stance, includes the theorist himself, the detachment and the theory as part of the “bird’s eye view” without any particular concrete bird serving as your ambassador or proxy.

“The unifying theme, as Nagel puts it at the beginning, is the problem of how to combine the perspective of a particular person ‘inside the world’ with an objective view of that same world, the person and his viewpoint included.”

(Bernard Williams, 1986 book review, London Review of Books.)

We have already seen the problem of Husserl‘s (died in 1938) “rhomboid” or “matchbox” (i.e., you can’t see the entire matchbox all at once) or Ortega y Gasset‘s “orange” (i.e., you cannot see the back or obverse or reverse of a spherical orange unless you walk around it and lose the first view from the front) and all this “partial viewing” takes place on “Neurath’s boat.” (Where we’re like sailors on a knowledge ship and can’t go back to any origins and can’t discuss Platonism with Plato himself. The Harvard philosopher Quine, among others, mentions this problem.) The ship movies forward and the “matchbox/orange” are viewed in some cabin on the ship (i.e., your field, such as chemistry or history or biology).

Lastly: think of the opening line of Thomas Mann’s (died in 1955) great novel, Joseph and His Brothers: “Deep is the well of the past. Should we not call it bottomless?”

In other words, there is no way for us as “knowledge detectives” to go back to the origins of ourselves or our history since that’s all unrecoverable and lost “in the mist of time.”

A student embarking on a “knowledge quest” (university education) should not dodge these puzzles and mysteries but look at them “unblinkingly.”  A deep education means all the dimensions of the quest are in front of the student and not wished away.  This includes the student’s own danger of being lost as “a leaf in the whirlwind of time.” (Hannah Arendt phrase we have already seen.). Career aside, there are multiple “Rubik’s Cubes” here if the student wants to experience the deep and the wide.

Essay 14: Education via Literature: Crafts Versus Craftiness

We have already mentioned the famous “Ode to Man” in the Antigone of Sophocles, a play which serves as a theme in Heidegger’s classic, “What Is Metaphysics?”

One aspect of “man” that Sophocles highlights for us is the troubled link between craftiness (bad skill) and crafts (admirable skills, say carpentry.)

His “Ode to Man” goes like this:

“Wonders are many, yet of all
Things is Man the most wonderful.
He can sail on the stormy sea
Though the tempest rage, and the loud
Waves roar around, as he makes his
Path amid the towering surge.
Backwards and forwards, from season to season, his
Ox-team drives along the ploughshare.

“He can trap the cheerful birds,
Setting a snare, and all the wild
Beasts of the earth he has learned to catch, and
Fish that teem in the deep sea, with
Nets knotted of stout cords; of
Such inventiveness is man
Through his inventions he becomes lord
Even of the beasts of the mountain: the long-haired
Horse he subdues to the yoke on his neck, and the
Hill-bred bull of strength untiring

“And speech he has learned, and thought
So swift, and the temper of mind
To dwell within cities, and not to lie bare
Amid the keen biting frosts
Or cower beneath pelting rain;
Painful sickness he can cure
By his own skill…”

“Surpassing belief, the device and
Cunning that Man has attained…”

(Antigone, Choral Ode 1, Oxford University Press, 1998, page 13)

Sophocles introduces the “strain” between good skillfulness and tricky “cunning” which leads not to comfort and greatness but to woe.

Notice that this Sophocles vision of man as good-craftsman but bad-craftsman of schemes and plots is a deep theme in later culture.

In post-Sophoclean writings (say Roman literature) writing there is the constant tension between “machina” (our machine) and machination.

These writers sense in some implicit way that technology and crafts are benevolent “tricks” based on man’s inventiveness (as you see mentioned in Antigone and the “Ode to Man”) but that man becomes destructively wily and cunning, destroying himself and others.

One classic example of this comes from the great History of the Peloponnesian War of Thucydides. Pericles is the orator of genius while Alcibiades is a “crafty” demagogue and trickster whose words are not uplifting à la Pericles but part of a “deception” game. His sudden manipulative call for an invasion of Sicily in 415 helps to finish Athens.