The Levinas Facial Theme in Novels

[a continuation of Education and Spontaneous Learning]

The Face of Another (Japanese: 他人の顔, HepburnTanin no kao) is a 1964 novel written by the Japanese novelist Kōbō Abe. Like other stories written by this author, the novel explores the alienation of modern man from urban society.[1] It is written in the first person narrative mode, and is divided into a prologue, three “notebooks” (black, gray, and white), and a concluding letter from the protagonist’s wife.[2] In 1966, it was adapted into a film directed by Hiroshi Teshigahara.[3]

An industrial accident has severely burned the face of an unnamed plastics scientist. His wife is repulsed by his disfigurement and refuses to have sexual contact with him. To regain the affection of his wife, he attempts to create a prosthetic mask in a rented apartment. With this new “face,” the protagonist sees the world in a new way and begins a clandestine affair with his estranged wife. Although the mask gives the man newfound freedom, at the end of the story, it becomes difficult to determine if the mask has taken ownership of the man or the man has taken ownership of the face.[1][2][4]

There is also a subplot following a hibakusha woman who has suffered burns to the right side of her face. In the novel, the protagonist sees this character in a film; in the film version, this is deliberately obscured.

References
  1. Hoover, William (2019). Historical Dictionary of Postwar Japan, 2nd edition. Lanham, MD: Rowman & Littlefield. p. 11. ISBN 9781538111550.
  2. Abe, Kobo (1980). The face of another. Internet Archive. New York: Perigee Books. ISBN 978-0-399-50484-6.
  3. Teshigahara, Hiroshi (1967-06-09), Tanin no kao (Drama, Horror, Sci-Fi), Teshigahara Productions, Tokyo Eiga Co. Ltd.
  4. Rush, Zachariah (2014). Beyond the Screenplay: A Dialectical Approach to Dramaturgy. Jefferson, NC: McFarland. p. 59. ISBN 9780786466030
See Also

La Belle Image by Marcel Aymé, a novel with a similar premise.