Scientism and Its Discontents: Movie About Hawking

Scientism is the view that science is truth and the rest is false, idiotic, or childish.

There’s a wonderful scene in the 2014 movie, The Theory of Everything (Eddie Redmayne plays Hawking) where the young Hawking is courting his wife to be at an evening party and he represents the quest for the theory of everything, hence the name of the movie.

His girlfriend expresses doubts about this and speaks a few words from the William Butler Yeats (died in 1939) poem “The Song of the Happy Shepherd” [full text]:

“Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass —”

The poet (and Hawking’s fiancee in the film) are suspicious of the science-and-nothing-else cosmologists and astronomers “who follow with the optic glass the whirling ways of stars that pass.”

William Butler Yeats (13 June, 1865–28 January, 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State.

Yeats says in his works, “Education is not the filling of a pail, but rather the lighting of a fire.”

Our desire to “re-enchant” education might cause us to modify this Yeats aphorism slightly, “Education is not merely the filling of a pail, but rather the lighting of a fire.”

What Is Education?

Søren Kierkegaard (1813-1855) was a Danish thinker at the highest level, a kind of Danish Pascal.

In his Fear and Trembling essay, he asks:

“What is education?  I should suppose that education was the curriculum one had to run through in order to catch up with oneself, and he who will not pass through this curriculum is helped very little by the fact that he was born in the most enlightened age.”

(Kierkegaard, “Fear and Trembling”, Problemata, Doubleday Anchor Books, 1954, page 57)

Education at its deepest level is understood here as a process of “catching up with oneself.”

Every student who ever lived and who will ever live is both a student (which is a social role) and a person (an existential task).

Education, if profound, would “put on the table” both modes of going through life and then assign the “homework” of “circumnavigating” a life and an education and hold them together in one’s mind. Catching up with oneself is the effort to fight off and climb out of “lostness.”

Lostness is depicted in such classic American films from 1999 as Magnolia and American Beauty.

One can be lost in a city, in life, or in the cosmos. (Walker Percy’s novel, Lost in the Cosmos, is an exploration of this.)

In the “brutal sociology” of American life and society, there are “winners and losers.” (Remember the scene in the American classic movie, The Hustler, where Paul Newman (“Fast Eddie”) calls George C. Scott (“Bert”) a “loser.”

Catching up with oneself involves the fending off of this brutal American cultural bullying and help the person/student hold on to one’s self and know how to use an education to help in this. Thus, catching up this way achieves and protects one’s self-possession.

The reader may remember the movie classic A Man for all Seasons, in which there’s a scene very relevant to this where “Thomas More” played by Paul Scofield, reminds “Richard Rich,” (the relentless amoral opportunist) that self-possession is the highest good and if one loses that, one loses everything of value. He, “Thomas More,” describes it as a bit of water in your hand that falls on the ground and can’t ever be recovered.

Catching up with yourself is education’s help in keeping a grip on this “water in your hand.”